Call It Spring 2015

Set Design and Propping for Advertising

Vidas Perfectas - Whitney Biennial 2015

Production Design: Sean Daly

Director of Photography: Peter Szollosi

 

Call It Spring SS 2015

Set Design and Propping for Advertising

Call It Spring FW 2015

Set and Property Design

Call It Spring Sport

Set Design and Propping for Advertising

Call It Spring | May 2014

Set Design and Propping for Advertising

Call It Spring | October 2013

Set Design and Propping for Advertising

Call It Spring SANTA CRUZ | Nov 2012

Set Design and Propping for Advertising

Call It Spring FW 2011

Set Design and Propping for Advertising

CALL IT SPRING JUNE13

Set Design and Propping for Advertising

After Party | Winter 2014 | Call it Spring

Destination Anywhere | Spring 2016

Fruit Loops | Summer 2014

Joni Mitchell -Vanity Fair

Joni Mitchell -Vanity Fair

Photo by Annie Leibovitz

Kate Bosworth - Vanity Fair

Kate Bosworth - Vanity Fair

Photo by Norman Jean Roy

Lizzy Caplan - Playboy

Lizzy Caplan - Playboy

Photo by Kurt Iswarienko 

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VOGUE CHINA

VOGUE CHINA

Photo by: Mark Segal

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James Franco -Interview

James Franco -Interview

Photo by Mikkel Jensen

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Charlize Theron - Vanity Fair

Charlize Theron - Vanity Fair

Photo by Norman Jean Roy

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Taylor Kitsch GQ

Taylor Kitsch GQ

Photo by Nathaniel Goldberg

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CAT POWER - Interview

CAT POWER - Interview

Photo by Mark Segal

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Ferragamo and Muses - W

Ferragamo and Muses - W

Photo by Mark Segal

Kelly Werstler - Vogue

Kelly Werstler - Vogue

Photo by Norman Jean Roy

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 Sherlock making his deductions, thinking things out on walls covered in clues.  Charcoal and wax on plaster.

Sherlock making his deductions, thinking things out on walls covered in clues.  Charcoal and wax on plaster.

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 Period occult scrawl and symbolic iconography carved on the surface, adding layers of mysticism to the mystery.

Period occult scrawl and symbolic iconography carved on the surface, adding layers of mysticism to the mystery.

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 In the hand of Sherlock, a mapping out of the clues.  "OX", drawn in hand made pastels, charcoal, salt and wax.

In the hand of Sherlock, a mapping out of the clues.  "OX", drawn in hand made pastels, charcoal, salt and wax.

 Multiple sets of these breakaway walls, were covered in character scratched patterns. In the many takes, the walls were crashed through and destroyed as part of the choreographed fight sequence.

Multiple sets of these breakaway walls, were covered in character scratched patterns. In the many takes, the walls were crashed through and destroyed as part of the choreographed fight sequence.

 Wax used in a ritual with "blood".

Wax used in a ritual with "blood".

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 Antique Map covered with drawing.

Antique Map covered with drawing.

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 Large scale floor illustration explaining Sherlock's deductions.  Hand ground pastels, charcoal, wax, salt.

Large scale floor illustration explaining Sherlock's deductions.

Hand ground pastels, charcoal, wax, salt.

 Ariel view of the entire floor mural.

Ariel view of the entire floor mural.

 Secret Society Chamber of secrets.  Painted panel depicting the four elements, and their graces. Acrylic on board.

Secret Society Chamber of secrets.  Painted panel depicting the four elements, and their graces. Acrylic on board.

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 Sacrificial table, covered in wax and salt.

Sacrificial table, covered in wax and salt.

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 Secret society book with images.  Ink and gold leaf on parchment.

Secret society book with images.

Ink and gold leaf on parchment.

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 Etched in stone. This cross appears on the wall of a prison cell.  Meant to be scratched over a long durational prison sentence.

Etched in stone. This cross appears on the wall of a prison cell.

Meant to be scratched over a long durational prison sentence.

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 A large set of Roman numerals cover the wall of a slaughter house. The material meant to be blood was to appear fresh and wet.  French Lacquer and pigment.

A large set of Roman numerals cover the wall of a slaughter house. The material meant to be blood was to appear fresh and wet.

French Lacquer and pigment.

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 An attic filled with the scrawls of a Madman.    Reardon's Lab is loaded with imagery and clues for Sherlock to absorb and record.     

An attic filled with the scrawls of a Madman.  

Reardon's Lab is loaded with imagery and clues for Sherlock to absorb and record.  

 

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 Detail of an imagined monster, painted on glass in ink.

Detail of an imagined monster, painted on glass in ink.

 Ouroboros-Dragon eating is tail, painted in black oil on treated glass.

Ouroboros-Dragon eating is tail, painted in black oil on treated glass.

 Self Portrait detail incorporated into a large wall of illustrations and scrawl.

Self Portrait detail incorporated into a large wall of illustrations and scrawl.

 Detail of mystic creature painted on wall in ink.

Detail of mystic creature painted on wall in ink.

 Jamie Foxx plays Nathaniel Ayers. A talented musician who has ended up on the streets of Los Angeles, as one of America's homeless.

Jamie Foxx plays Nathaniel Ayers. A talented musician who has ended up on the streets of Los Angeles, as one of America's homeless.

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 Creating intricate graffiti and objects Nathaniel travels with throughout the film.

Creating intricate graffiti and objects Nathaniel travels with throughout the film.

 Nathaniel's long loved violin, with two strings left, is covered in engraved words and patterns. 

Nathaniel's long loved violin, with two strings left, is covered in engraved words and patterns. 

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 Presentation drawings for Jamie Foxx to approve the character's Uncle Sam disguise. 

Presentation drawings for Jamie Foxx to approve the character's Uncle Sam disguise. 

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THE SOLOIST - 2009

THE SOLOIST - 2009

Working under Production Designer Sarah Greenwood, and alongside the real life Nathaniel Ayers, I produced the character effects and signature costume parts for actor Jamie Foxx's performance.

Vidas Perfectas - Whitney Biennial 2015

Cinematographer PETER SZOLLOSI

 

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